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A Comprehensive Overview — available in digital and print formats
History of Modern Art is a visual comprehensive overview of the modern art field. It traces the trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. The seventh edition deepens its discussions on social conditions that have affected the production and reception of modern and contemporary art.
Learning Goals
Upon completing this book, readers should be able to:
- Understand the origins of modern art
- Provide an analysis of artworks based on formal and contextual elements
- Recognize the influences of social conditions on modern art
- Sales Rank: #1293687 in Books
- Published on: 2012-12-24
- Original language: English
- Number of items: 1
- Dimensions: 11.40" h x 1.70" w x 8.70" l, 5.75 pounds
- Binding: Paperback
- 932 pages
Review
“This is a significant and usable text for all undergraduate students of art history, and a very good source book for graduate students. It is an excellent source book for students studying the late nineteenth to the twenty-first centuries.”
- Caterina Pierre, Kingsborough Community College CUNY
“It demonstrates a strong commitment to writing a history of modern art that is inclusive of women and artists of color. It is clearly written and works toward thorough consideration of a topic rather than superficial analysis. The best text for a course on Modern Art.”
- Cynthia Fowler, Emmanuel College
“Comprehensive, in-depth study of respective stylistic developments in history of modernism; high-quality photographic reproductions; fundamental investment in discussing objects through its own evidence; willingness of text and author(s) to adjust with the times.”
- Mysoon Rizk, University of Toledo
“I am pleased with the inclusion of more women and artists of color and with the context, technique and source boxes. As well, I am pleased with the increased quality of reproductions.”
- Prudence Roberts, Portland Community College
About the Author
Elizabeth C. Mansfield is Vice President for Scholarly Programs at the National Humanities Center in Research Triangle Park, North Carolina. She has taught art history at New York University and the University of the South in Sewanee, Tennessee . A scholar of modern European art and art historiography, her publications include books and articles on topics ranging from the origins of modernism to Picasso’s Demoiselles d’Avignon to the contemporary performance and body art of Orlan. Her 2007 book Too Beautiful to Picture : Zeus, Myth, and Mimesis was awarded the College Art Association’s Charles Rufus Morey book prize.
The late H.H. Arnason was a distinguished art historian, educator, and museum administrator who for many years was Vice President for Art Administration of the Solomon Guggenheim Museum in New York. He began his professional life in academia, teaching at Northwestern University, University of Chicago, and the University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of Minnesota.
Most helpful customer reviews
30 of 31 people found the following review helpful.
Excellent and interesting introduction to Modern Art with hundreds of photos
By Incantessimo
I saw this book in a museum (the High Museum of Art in Atlanta, GA) and had the chance to peruse the museum's copy (which was of the previous edition) before buying it. After just spending 15-20 minutes with it in the museum, I became convinced that it was worth the hefty price. Now, having purchased the most recent edition, I am glad I did. It is an expensive book, but worth the price, in my opinion, as it contains a wealth of information and a wealth of art.
The book was originally written by H.H. Arnason, who, as the book's Preface explains, was Professor and Chairman of the University of Minnesota's Art Department from 1947 to 1961. He also held other posts and was affiliated with the Guggenheim Museum. Since Arnason passed away some time ago, recent editions of the book have been updated by Elizabeth C. Mansfield (Associate Professor of Art at NYU), who has brought the book up to the present (as recent as 2006) with sections on globalization and postcolonial theory.
Both Arnason and Mansfield are clearly intelligent scholars who place the art within its historical context to help us to see what it did, where the innovations were, and what conflicts and issues were live at that time. For example, the opening chapter deals with the legal case between Ruskin and Whistler, in which Whistler sued Ruskin for libel when Ruskin defamed Whistler's painting "Nocturne in Black and Gold." The battle was over whether Whistler could charge such a large amount of money for something that, in Ruskin's eyes, was not art. The (his)story is told in a very readable way, with the painting shown, and it is a perfect and intelligent way to open the book, since a crucial issue involved in modern art is, what makes it art and who decides?
I have not had time to work my way through the whole book (it is 830 pages), but I have liked very much what I have read so far. The index is handy for finding the artists one is interested in, if you don't want to wade through the book, since the chapters are organized thematically. The book may be intended for College textbook use, but I think it is definitely interesting enough to be read by anyone interested in art and painting. It's probably a bit too large and intimidating to work well as a real "introductory" book for someone who knows nothing about art or modern art (unless you have a seriously scholarly mind), but otherwise, I think it is as accessible as it can be given its size and scope, it makes for some great reading and it also passes as a good reference work. I recommend it.
19 of 19 people found the following review helpful.
An excellent source of 20th century artists
By Thompson
I bought this book for a class and it has certainly come in handy. It covers a large selection of 20th century artists such as Klimt, Kandinsky, Cezanne, Matisse, Demuth, and much much more. The book is very large (has a lot of pages) so it truly is stock full of pictures and information about artists and art movements of this time period. There does seem to be a focus more on European artists but there are still pleanty of American artists as well as other countries (Japan, Mexico...)being represented. Although it may be a little expensive, it is a great book for anyone who wants a well organized compilation of 20th century art. I also like the way it is written. It is easy to understand but written in a sophisticated manner. It also discusses a wide variety of art including oil, printmaking, sculpture, ceramics, mixed media, photography, performance art, and more.
9 of 9 people found the following review helpful.
but was in very good condition. And it's a keeper which I will ...
By Phil Nash
I used the Sixth Edition in an art history class where the current Seventh Edition was the designated text. There was very little difference between the two--like a small change in the numbering of the chapters. I saved probably more than $100 by using the earlier text. The book had been used, but was in very good condition. And it's a keeper which I will no doubt refer to in the future.
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