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Understanding Movies Plus MySearchLab with Pearson eText -- Access Card Package (13th Edition), by Louis Giannetti
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A readable, accessible introduction to film
Understanding Movies provides valuable insight into how movies communicate and convey meaning to their audiences through a unique network of language systems and techniques. In a readable, accessible, and sometimes humorous manner, Understanding Movies engages students in the fascinating language of film and helps further their appreciation and understanding of why and how movie watchers respond as they do to different films.
Organized around elements of film, the thirteenth edition of this market leading text provides students with a new way of looking at films that are familiar to them through contemporary coverage and a visually engaging presentation.
Learning Goals
Upon completing this book, readers will be able to:
- Understand film as an industry
- Discuss the impact of technology on the film industry
0205944515 / 9780205944514 Understanding Movies Plus MySearchLab with Pearson eText -- Access Card Package
Package consists of:
0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card
0205856160 / 9780205856169 Understanding Movies
- Sales Rank: #1391178 in Books
- Published on: 2013-07-13
- Original language: English
- Number of items: 1
- Dimensions: 9.84" h x .87" w x 7.80" l, 1.98 pounds
- Binding: Paperback
- 576 pages
About the Author
Louis Giannetti is a Professor Emeritus of English and Film at Case Western Reserve University in Cleveland. He has taught courses in film, literature, writing, drama, and humanities. He has published many articles, both popular and scholarly, on political subjects, literature, and drama. In addition to being a professional film critic for several years, he has written about movies for such scholarly journals as Literature/Film Quarterly, The Western Humanities Review, and Film Criticism. Professor Giannetti is also the author of a book on cinema theory, Godard and Others: Essays on Film Form, published in both Britain and the Unites States. Giannetti’s other books include Masters of the American Cinema (Prentice Hall, 1981), a survey of American fiction films from the perspective of eighteen key figures. Flashback: A Brief History of Film, Sixth Edition (Allyn & Bacon, 2010), written with Scott Eyman, is a history organized by decade outlining the major events, trends, and important filmmakers and their work, with emphasis on the American cinema. Both books are copiously illustrated. Understanding Movies has been a bestselling text in all its previous editions, widely used in the United States and in such countries as Australia, Britain, Singapore, Canada, New Zealand, South Africa, and Japan.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Three Stars
By Tim Yarnell
Great Seller. Overpriced book.
106 of 125 people found the following review helpful.
Review of 10th edition
By Robert Jordan
Hey, wanna make a bunch of money? Let's write a college text book! We've got a captive audience that has no choice but to buy our book. Then every two or three years we can release a new edition and eliminate that nasty habit students have of reselling used text books they no longer need. Too much work, you say? Okay, let's just slap a different picture on the cover and release the old edition again! Can't quite picture it? Need an example to emulate? Try this one:
I've been using Louis Giannetti's Understanding Movies since the second or third edition. Over the years I've occasionally been pleased to see a new edition which boasts some major improvements. But in my opinion, there haven't been any since the seventh edition. Now here's the tenth edition and every film student in the country has to fork out for it rather than getting their roommate's 9th edition for a buck or two.
So what do you get for that extra money? A new cover certainly. I don't know about you but I wouldn't be caught dead with a text book with Gladiator on the cover - that would be SO three years ago! And there's an entirely new chapter! That's worth paying an extra fifty bucks - no, wait. Same chapter that's been there since Clinton was president. They just renamed it.
Did some technological revolution change the face of cinema, warranting a new version of the book to address it? Giannetti has added a new section on special effects to the chapter on photography. It's less than one page of text. I haven't read the entire book yet, but I've yet to see any reference to the fact that some films have been shot entirely on hi-def video rather than celluloid, or that this might be a significant trend in the future. The closest thing to a landmark film in the last ten years has been Peter Jackson's The Lord of the Rings trilogy. But the only reason Giannetti even mentions it is to point out that Ian McKellen is gay.
But while we ignore or slight what could have made this edition fresh and vital, we keep that which makes it antiquated. Yes, I'm talking about the shot by shot reproductions of important films seen in Understanding Movies as far back as I can remember. We have SIXTY images from The Battleship Potemkin's justly famous Odessa Steps sequence. There's TWENTY-FOUR PAGES of story-board images from Hitchcock's North by Northwest. Giannetti's not alone here - lots of film textbook authors do this. Come on! If anyone wants to do a shot-by-shot analysis of a film like Potemkin or North by Northwest, they can get the DVD. If a film instructor thinks it's that important for students to have this level of exposure to those scenes, they can be screened in class. In the 21st century I consider it just book padding to add thirty pages of superfluous material to a text like this.
Okay, I've calmed down a bit. There's really nothing terribly wrong with Giannetti's book. It's interesting. It covers the subject material quite well. It's just that it did that ten years ago and it offends me when every two or three years students discover at the end of their courses that their books can't be resold and the following semester every student will discover there are no used editions to purchase. Sweet racket.
So enjoy that photo of Sean Penn on the cover - it cost you an extra fifty bucks!
36 of 41 people found the following review helpful.
12th Edition -- get less, pay more. Many prior reviews pertain to prior editions
By Allen Smalling
Has the beleaguered American student proletariat finally had Too Much of inflated textbook prices and planned obsolescence? At the time of this writing, the 12th (Transformer cover) edition of Louis Giannetti's UNDERSTANDING MOVIES has only had about a month on the shelves and has garnered only a few reviews, mostly quite negative, and mostly assaulting the ethics of releasing yet another updated volume as opposed to critiquing the text per se. This review may have a similar "meta" flavor but I hope to offer some potentially useful facts:
-- The Eleventh Edition (Spiderman cover) has a retail price about the same as the new 12th. Yet Amazon discounts it more, making it significantly cheaper (alas, though, used copies are scarcer and selling for pretty close to new prices).
-- Nonetheless, the 12th edition has almost fifty FEWER pages than the 11th! Spend more, get less? I can't for the life of me understand why anyone would want the 12th.
-- The textbook publisher may have pushed one time too often in this recessionary era because the prior (again, 11th) edition is not yet three full years old.
-- I defy anyone to compare the 12th, 11th, 10th (Sean Penn cover) or even 9th (Russell Crowe/Gladiator) editions and tell me that the gap between new/latest and very good condition/several generations ago is all THAT significant that it justifies such a quantum increase in price.
-- Frank Hoffman of Philadelphia, my Comment notwithstanding, made some very good points in 2007 about how contemporary students are captive audiences. But, I would add, only if the instructor insists that all students buy the utmost latest. Open up earlier options and the price will crash! E.g., I paid less than $20 for my VG copy of the 9th "Gladiator" edition, which has 556 pages. As of now, the very latest 12th ed. has 576 pages and retails at ninety dollars plus change!
-- FWIW I agree with Prof. Hoffman that gay and lesbian content is tokenistic to the point of trivial. The best solution might be, as he suggests, to assign be the groundbreaking book by the late Vito Russo, THE CELLULOID CLOSET (1987), as a second required text. Since this gem has no color plating, hasn't been revised since publication date and (probably most significantly) is aimed at general readers, not just captive-audience students, it is quite cheap. As of now it retails at $[...], significantly cheaper at Amazon.
-- Amazon amateur reviews, POSTED UNDER THE 12TH EDITION, span the time to "just now" back to the turn of the millennium, which means numerous editions back. Go ahead and read the reviews if you like; much of what they say still holds true because UNDERSTANDING MOVIES but slowly evolves. Please be aware, though, there are more possible time warps lurking than in all the BACK TO THE FUTURE movies put together.
To me, UNDERSTANDING MOVIES is still the standard text for into-to-film course, and I don't blame Prof. Giannetti (who is now in emeritus status) for the ongoing futzing around with pages and prices and perpetual editions. Chief culprit of that is the publishing (multi-)house that controls the book, and in a competitive climate in which its rivals are more like oligopolistic brethren.
I have been reading and enjoying numerous editions of the Giannetti text from the late seventies until recently. I always used to say they just got better and better over time. I'm not sure I can still say that with any sincerity.
Thanks for hearing out the "rant"; I hope it has helped in some way.
Al Smalling, Chicago
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